Saturday, November 17, 2007

How to begin your painting.

This is the easiest, fastest way to begin painting. Place your primed or gessoed support flat on a table. Dip a large round oil painting brush in your turpentine or odorless thinner. Dip your brush into any color of paint on your palette. I like to use colors that will be complimentary to major colors in the painting. This gives the painting a glow you don't achive otherwise. Smear the paint and turpentine around the canvas. Your goal is to cover the support with some color. You want this color to be loose and what a painter will call "washy". The color doesn't need to be dark.


Beginning your painting, by DAW




While I'm finding my image on the board, I'm constantly thinking. How far away from the edge should this line be? How does this shape curve? Where does it meet the next shape? Is this line half way across the painting horizontally? Where does it cross this vertical line? You can see in the image above, you might call this a complicated painting. It really isn't. While you're drawing, never think about horses. Don't say to yourself, is this horse's neck long enough? Is his head big enough? Gosh, I don't know how to draw horses. I can never get the eyes right. Toss all of those thoughts out of your head and think about your lines and shapes and where they need to be on the painting. You'll be surprised at how easily your drawing will appear.



Coming along with your painting.

This method of drawing the image right onto the support will save so much time and energy for you. You don't have to bother with drawing an image on paper or transferring it to canvas. It's there on the painting as you go along. When you make a mistake on your drawing, dip your brush in some more paint and turpentine, and smear paint over the area you wish to correct. Dip your brush back into the turpentine and begin to find your image again. Keep the drawing light in color and you can paint over it and redraw it over and over until it looks right. When you grow used to this method, you'll find it easier and easier to create each painting.




I read many books on how to draw before I found one that made perfect sense to me. I didn't like methods where I learned to draw circles, put the circles together and try to make them form the shape of a horse. I didn't like other methods I found. Nothing seemed to work for me. Then I took a drawing class put on by an artist friend of mine. She used the Betty Edwards book "Drawing on the Right Side of the Brain". It was like a light came on in my head! After I studied this method of learning to see, I could draw anything!



Save on Art Supplies at MisterArt.com

I hope this lesson was helpful to you. You can see some of my horse art on my website. I've also posted pages of Christmas gifts there. You'll find gifts you can't get any where else for a horse loving person.

The Support Beneath your Painting

The support is what you actually paint upon. Some artists use prepared canvases. You can purchase them in online stores, craft stores in your town, and from art supply catalogs. If you want longevity in your work, use the good, stretched canvases. They come on wooden stretcher bars. For practise, the canvas boards are fine. Gallery wrapped canvases are wonderful as they don't require framing! As soon as your painting is finished, it's ready to hang on the wall.



Other artists prefer to use mdf board or masonite boards. Unless you're planning on doing very large paintings, 1/4 inch board will work for you. Lumber yards will cut 4X8 sheets of this board into sizes you require. They usually charge a small fee for this. You can also cut your own boards if you have the tools.



If you want to get extremely creative and find your board at the best possible price, (which is free) find a friend who has a cabinet shop, a contractor, or woodworker who throws the scraps away. They'll be happy to have you pick the scraps up so they don't have to haul them off. You'll also find this material in dumpsters where general contractors have thrown excess materials away. Choose only the good fresh boards that are clean.



Once you've aquired your board and cut it to size, it needs to be gessoed. Gesso is a special kind of paint that covers boards, sticking to them and giving you a safe surface to apply your paints. I use several coats of gesso on my boards. (4-6 coats) I paint both sides so the boards don't warp. Some artists like to sand between the coats of gesso to get a smooth surface. (Let it dry thoroughly between coats.) I like the texture of my lines and lumps to show through, so I tend to slap the gesso on with abandon. Many artists use house paint or primer for this application. There are pros and cons to this line of thought. You might want to do more research on this method and decide for yourself which way to go. I've done it both ways and it hasn't seemed to make much difference. Gesso can be found in art catalogs or art and craft supply stores.



You can also gesso mat board and other surfaces before you paint on them. Don't be afraid to try new things. If you watch House and Garden television, you'll see how any surface can be painted! A word of caution. To create fine art, use only the best methods, materials and preparations. For other painting, you can get as creative as you wish.






When I purchase supports, I like to use the Fredrix Stretched Linen Canvas I find on Mr Art.com. This canvas is so smooth and rich! When you see it, you can't wait to start your next painting. I've bought supplies from Mr Art for less money than I'd pay buying them in a local craft store and I saved the gas it takes to make a trip to town.

Save on Art Supplies at MisterArt.com

You can see horse art on my website and purchase Christmas gifts on the special pages I set up for the holidays. Thanks for stopping by....
donna

Creating Equine Art

The first things you need to know about becoming an equine artist are some basic rules about image use. As an artist you must learn to work using live subjects to capture your scenes, or using a camera to take your own photos. Your unique way of seeing the world of the horse shines through when you use reference materials you've gathered yourself. Another way to create an image, is to call upon your imagination. Let it flow and see what appears on the canvas or paper.



Artist's also find images, by purchasing the rights to photos or pictures that belong to someone else. It's perfectly acceptable and legal to use images if you purchase rights. You may also ask permission when you find a photo you like, some people will allow you to use their photos for free. Becoming a member of certain organizations and contributing to their member reference libraries gives you the right to use other members reference photos. Two such art related organizations are the Equine Art Guild and Wet Canvas.



There are other sites on the web, where you can receive help in your quest for learning to paint, these two above, happen to be the two I belong to at this time. At both organizations, you'll have help with any problem that arises. Artists there are happy to assist you with information about supplies, mediums, techniques and encouragement. There's a fee to join the Equine Art Guild, Wet Canvas is free at this time. Both organizations accept you at the skill level with which you paint at this time. You don't have to be famous or skilled to join.

If you choose to paint human subjects with famous horses, be sure to obtain a model release. Images of some people and horses are legally protected against use. It's wise to ask permission before you begin to paint these subjects.



Copyright law might seem complicated. It becomes very simple if you remember this basic rule. Don't copy another person's work. Use your own reference materials! You'll hear from some sources it's permissible to copy a work if you "change it 10%". Don't do it. It isn't legal. Use your own materials! I can't stress this enough. Think of it this way, would you want someone else copying your work? You won't be considered a serious artist, if you don't gather your own sources for your work.



You don't have to own a horse to become a great equine artist. Perhaps you work with horses and have endless ideas coming your way for your art. Many artists I know go to the track, parades, rodeos or other equine events to gather material for creating their paintings. Perhaps you have a friend or neighbor who's willing to allow you to photograph their horses. I like to drive around the countryside taking photos of horses I find along the way. I'm careful not to disturb the horses or try to get close to them, I take the photos from a distance. This method gives me natural looking poses of horses in their environment.



Many factors enter into becoming an equine artist. First and foremost, is the image you create and how you come upon it. In following articles, I'll post lessons, with examples, on how to draw and paint horses.


Thanks for stopping by, I hope you enjoyed this article on learning to be an equine artist. You'll find horse art and gifts on my website. I've put up some special pages for Christmas gift giving.

Sunday, November 11, 2007

Another quick draw.


This project was a 40 minute drawing. Such a cute baby. I didn't use anything special, just copy paper and a normal pencil.

Remember there's great Christmas gifts on my website, horse art and more. Sign up to have this blog delivered into your email box while you're here!

Thank you for stopping by and please recommend this blog to your friends who love horses.

I'd love to hear from you, feel free to leave a comment.
donna

Saturday, November 10, 2007

Quick draw


One of the online groups I belong to is having a weekly drawing event where we choose a photo from one of 12 posted by a different member each week. You can choose your medium. Then you have to limit yourself to two hours and quit, then post the image as it is.

We've been doing so many shows lately, we haven't been home much. And tonight it was late when we got here...but I decided to spend some time at this as it's so relaxing to sit and draw a subject you love. I chose this horse as I liked the look in his eye.

I didn't have two hours to work on this as headed for bed instead. :) But I did spend an hour drawing and although it might need some corrections, considering we've been spending 10 hour days at a show this last week, I'm happy with it.

Stop by my website for some horse art Christmas gifts, I've set up two pages of quick and easy shopping!

Thank you for stopping by!
Donna

Monday, October 22, 2007

Yard Bunny and other things.


This little cottontail sits in our yard eating grass all the time. I tell Robert we have more than one long ear, with Pedro the donkey and this rabbit and it's family!

I'm still working on this painting, I have a few places to fix then he'll look like he does when he sits in the sunshine near my feet. I'm painting him in this position, because this is how he looks, to me, when he's sitting there.

We're set up at a show in the West Gate mall in Great Falls at this time, and I painted this while sitting in our gallery at the mall. I belong to the Studio 706 Art Guild and all of our members who have work to display, have filled a 2400 foot space with wonderful art. If you live in Great Falls, Mt. be sure to come out Friday and Saturday, the 26th and 27th of October, 2007 to see the exhibit and buy some paintings for your home.

There was a guy who walked around looking at the art for a long time. When he came by me, I said, "Say! Your wife just called, she said for you to bring two of my paintings home for her to hang on the walls..." He laughed so hard. But he didn't buy any paintings. Come to find out, he's an artist and he was interested in joining our guild, but at least I broke the ice and got him to talking.

We did sell several paintings this last week so we were happy about that. Our guild provides a scholarship for a Cascade County senoir each year and the money we raise from our sales goes toward that scholarship.

Some other news, I did sell the Jetty kitty painting and the Havre, Kitty Keepers shelter recieved their share of it.

This little rabbit will be for sale for $350, professionally framed. He's 8X10 and done in watercolor, he'll be varnished with a soft matte varnish to give him wonderfully soft, glowing, protective cover. But he isn't finished yet, so I'd better get back to work.

As always, thanks so much for stopping by. Sign up now to have this blog delivered to your inbox. There's a text box to your right for your convenience....

There's more horse art on my website.
Donna

Wednesday, October 03, 2007

Cooper's Story



(This story is what happened to the dog of one of my friends. I'm passing it along in memory of Cooper, and hoping something can be done so this doesn't happen to any more pets.) Here is Cooper's Story, as told by his owner, Marti Adrian....

I’m writing this to all pet owners so that they might be aware of what could kind of horror story could happen to them and to their pets. If I can raise awareness of what is still going on out there under the guise of legal actions, then perhaps we can do something as a group to change things for our beloved companions.

On September 12th, 2007, it had been raining all day and Cooper, a registered, tattooed male Airedale, was restless. At least 5 or 6 times that day he came and begged with his big, brown, expressive eyes, for me to let him out and to play with him. At five p.m., it finally quit raining, and the sun came out. It was beautiful outside now, and I let him out by himself since I was just starting supper. I didn’t worry too much about his safety since the farm where we live is isolated, a long way from the road, and at least 12 miles from town. We never hear any vehicle traffic unless it is on the yard, and our nearest neighbor is three miles away. The perfect spot to raise animals, we thought, and Cooper never left the property. Cooper was an unusual Airedale. He was everyone’s friend. He shared food with horses that normally would have killed any dog they saw; he romped with calves while tolerant cows kept a close eye; he would run into the bull pen and tug on the bull’s tails until they got up, asking them to come and play. Even the pheasants (which he supposedly had been bred to hunt) were targets of his game; he would catch them, carry them gently in his mouth, and then let them go, (not their idea of fun, I’m sure). He was such a gentle creature and greeted everyone and everything that came on the yard with equal enthusiasm.

I suppose all of this was the reason I never thought anyone would hurt him. But he didn’t come back to the house that day. My husband came home at 5:45 p.m., and Cooper wasn’t there to greet him like usual, even though I has seen him out the window just 10 minutes before. We went out to try to find him, calling and walking the property until it was too dark to see. That is when I knew something was wrong, because Cooper always came to the house when darkness fell. He was only just over a year old and still nervous out there by himself.

At 4:30 the next morning, my husband got in our truck and drove all around the countryside looking for him. He found tracks – tire tracks leading down to the back part of the pasture. They showed where a vehicle had stopped, then turned around and headed back to the highway, and back to town. Cooper’s tracks, clearly visible in the mud left by the rain, were also plainly there to read. He had made his usual round of the pasture, but then the tracks disappeared.

Over the next sleepless night, and through the next day we drove around and searched everywhere – with no sign or hint as to what might have happened, although we were 99% positive someone had picked him up. I made up posters and hung them everywhere I could think of, including neighboring towns, offering a reward, and told everyone we came in contact with in the hopes that someone would spot him, or know who took him. We really didn’t think he would still be in the area because there had been a rash of dog thefts in the area and we suspected that someone would take him far away. We heard nothing until two weeks later, when we finally received a phone call from a man in town who had seen our dog.

Cooper had been wandering alone in the town of Raymond, Alberta, nervous and afraid. Obviously, he had gotten away from the thieves or been dropped off. We will never know the real reason for that.

John and his wife were going for a walk around 8:30 p.m. that Wednesday, and found him. They tried to entice him to come into their home, but Cooper was unsure, came in as far as the porch, and wanting to go home, turned and ran out again. When John opened the back of his truck, however, Cooper jumped right in, probably thinking he was going to go home. John didn’t know what to do with him, so he did the one thing that most people would do in this situation – he called the town’s bylaw officer and dogcatcher. The dog was picked up and taken to the place where dogs are held, so we were told – an old abandoned building on the outskirts of town. But from there the story becomes something out of a nightmare – for me anyway.

John had told the bylaw officer that he wanted to be notified if the dog was not claimed, as he would gladly keep him rather than see him put down. He was so friendly and was obviously a valuable, purebred dog and had been well taken care of. His coat was healthy, and well groomed; his eyes clear and teeth good. Anyone could recognize that this wasn’t just a mongrel, abandoned and alone, but a well-loved pet of some quality.

One week later, John received a call. It was the dogcatcher saying that the dog he had picked up had not been claimed, and if John could pay him a fee of over $300 (the actual price varies according to whom you talk to), he could come and get the dog. Sadly, John couldn’t pay that high a fine, and told the officer this. So on the 19th of September, one week after his disappearance from his home, Cooper was put to death. Rather than bringing him to someone who would gladly have taken the dog into his home, the officer chose instead to put him down. Had the town used a vet to put dogs to sleep, Cooper would be here at home with me now, because I had alerted many of the vets in the area to the fact that the dog had been stolen, and to watch for his tattoo number. The fees this dog catcher was asking were exorbitant, and killing the dog did not gain anything financially – so why? Why was he killed in cold blood? The town of Raymond will not answer these questions for us, and they won’t admit to how Cooper died – if he died. In fact, they did not respond at all to our letters that expressed our concern about how this case was handled. The town administrator would do nothing, even though his bylaw officer abused his authority in the fees he tried to charge, and neglected to properly inspect the dog for a tattoo. The Animal Rights and Protection Act states that if an animal even looks like a purebred, the officer must wait 10 days before putting the animal down, but they waited only seven.

We are fairly new to this area, and to Alberta. Not knowing where to look, or who to contact, I had called the Lethbridge Humane Society in my search for Cooper. They advised me to call the county bylaw officer – which led me to assume that he acted for the entire area, including the town. One should never assume anything, and so it is partially my own fault that Cooper was not identified while the town of Raymond had him in custody.

Raymond does not make its dog pound facility easily accessible or recognizable – or easily found. Had we been aware of the existence of the dog pound, this whole thing would have avoided. As it is, my husband and I drove by the place in our search a few times while my dog was still alive, with no way of knowing that this was an animal-holding facility, and that Cooper was inside. It certainly does not look like a dog pound. There are no signs, nothing to identify it. The building is boarded up, and sits on the site of the sewage disposal facility on a back road far from the main traffic area. A brand new sewage pump station sits on the site, and beside it the ramshackle old building that serves as their animal holding facility. There are no runs for animals, and no ventilation in the building. We are completely horrified to think that our happy, well-cared-for pet was kept prisoner in such inhumane conditions for seven days. The very fact that Raymond even has a dogcatcher and a dog pound is not made clear to anyone who is not a long term resident of the town, never mind to newcomers who live far from town. No one, of all the people I talked to about this, mentioned this fact.

No notices went out to try to find his rightful owners and advise the public of the fact that a dog was being held. The tattoo (plainly visible on the inside of his left flank to anyone who was really looking) was not checked with the Canadian Kennel Club to trace the people who loved him. In other places we have lived, the dog would be kept for 10 – 30 days (10 days here according to the Alberta SPCA) and be kept in a public facility, or, where the funds were not available to keep a facility, kept in private volunteer facilities, and notices put into the local paper – or some other method used to alert people to the presence of an unclaimed pet. No proper inspection took place to find a tattoo on an obviously well bred dog. Why? Instead all we are left with is a lot of questions: Did Cooper suffer before he died? Did he die instantly? There were no witnesses, so I don’t know. Was he sold to the highest bidder? Is this humane? The brutality of the way this was handled is beyond my comprehension.

Cooper was a family member who helped me through a fight with cancer this summer. He was such a comfort through the long days that I was bedridden because of the fatigue and illness after a chemo session, cheering me up with the antics that Airedales are well known for. My children called him an ‘animal whisperer’, and I just thought he was an angel in disguise. If there was anything at all that would bring him back to me, I would do it. I would have paid as much as I could to have him back.
The fact that a town has the right to kill at their own discretion, with only such a short waiting time; that they have not bothered to put into place some better plan of action for missing, lost and stolen pets, does not say a whole lot about the people who run these towns. It does say a lot about people who have lost their connection with nature and animals, and are concerned only with their own small world. Had an individual kept a dog prisoner in a building like that for any length of time at all, they would be reported and charged. Why is the town not willing to discipline one of its employees when he so obviously overstepped the bounds of his authority, and neglected to do his job. It cost Cooper his life and I for one, could not let this pass without doing something, and for the sake of ‘Skydales Flyin Cooper Special’, I WILL do all that I can.

Marti Adrian
Box 196
Raymond, AB, T0K 2S0
Ph:403-752-4977

Birthday party for a one year old.

One of our great grandsons had his first birthday party on Saturday. He's such a good little guy, and he's full of action, so it was...